One of the first female voices to reach music stardom from Vancouver dies at 73

Vancouver just lost one of its first ever female music stars. Susan Jacks of the Poppy Family group passed from kidney problems at Surrey memorial hospital at age 73 yesterday. She is remembered as a pioneer for female voices from this city. 

My mother, who is also a fan of other female folk artists like Karen Carpenter and Tammy Wynette, introduced me to Susan’s music when I was a little girl. At the time I was unaware that she was from Vancouver and what kind of indelible mark she made on the music community here. 

Susan sang all her life; born in Saskatoon and moved to New Westminster BC with her family of six as a young girl. She found her big break when she was one of the first females to be featured on the CBC-TV show “let’s go” and “Music hop” in the mid 1960’s.

In 1966 she met fellow Canadian artist Terry Jacks, who’s family was from Manitoba and moved to Vancouver in the mid-1960’s. A year later their union formed the “Poppy Family” band. 

The rest was history as they went on to top the charts around the world with the soft-pop classic “Which way you goin’ Billy” in 1969. It was the first million-selling record by a Vancouver act. They went on to have several worldwide hits and put Vancouver on the map.

Susan Jacks is remembered for her natural singing ability, her warm and charismatic personality, and the humbleness she maintained despite her rise to stardom. Despite her brush with fame she has been described as a selfless, humble artist who disapproved of injustice and lack of sincerity. To see the career that someone like Susan had and the values that she upheld as a person is deeply inspiring to a local female songwriter like myself. Her legacy will live on undoubtedly.

 

Arcade Fire is blessing us with new music WE have all been waiting for…

The Montreal-based band and Canadian treasure Arcade Fire are set to release their 6th studio album, titled WE, on May 6th. It’s been 5 years since their last album release and fans are eager to hear what’s in store. They are also fresh off the heals of a surprise performance at this year’s Coachella Festival which was a major success. Although they could have headlined a main stage they performed in a smaller tent jam-packed with over ten thousand fans in attendance to get the opportunity to hear them play for the first time at the festival since 2005.

When the Covid 19 Pandemic impacted the globe in 2020, the band was in the midst of writing their new album WE. They were individually living in both the US and Canada and travelling back and fourth to finish the songs together, however when the borders closed the band was separated and they felt the challenge of working together without the intimacy of creating in the same place at the same time. 

They were finally able to reunite six months later in El Paso, Texas at the height of the pandemic with the chaos of the US election underway at the time. Despite all the uncertainty around them they were able to connect on a deep creative level.

It’s been 18 years since the group shot to world fame with its debut album, Funeral. The new record finds Arcade Fire playing songs with mix of urgency, intimacy and abandon that reflects the moment in the world that it was written during.

One thing that is different about the band is the absence of Win’s brother, Will Butler. Despite the magic that was created with Will’s presence as they put this last album together, Will decided it was his time to pursue other creative ventures in the future without the band. Meanwhile Dan Boeckner of Montreal indie-rock act Wolf Parade has since been added to the group. 

WE was co-produced by Butler, Chassagne and Nigel Godrich, known for his work with Radiohead and includes wan appearance from the legend Peter Gabriel as well. I for one, am extremely excited to hear it. 

Be an artist AND get payed you say?!…Sync me up!

Have you ever had the experience of watching a new Netflix series or tv show for the first time and from the first few seconds of the opening song you’re already completely immersed in the world you are entering?! It’s like the song completely captures the mood and feel of the visual journey you’re about to go on? I remember the first time I watched the series “Big Little Lies” and immediately upon watching the first few seconds of the opening song I said to myself “this…is…a…VIBE.” A few days later I went out and bought Michael Kiwanuka’s “Cold Little Heart” on vinyl and played it incessantly for weeks straight. Every time I watched an episode of the series I would be equally as excited to hear the song. It so perfectly embodied the feeling of the series and the song itself really resonated with me. 

 

Thats the magic of sync licensing at its best. 

It can be challenging to find ways to make money to support your artistry when starting out as a singer-songwriter…tours are hard to plan, gigs competitive to land and sometimes it’s easy to get discouraged. But this is an option that may provide hope. You may not land the the jackpot right away like Michael Kiwanuka…but you’ll still get a decent cheque in the mailbox. 

Sync licensing is one of the better ways for local artists to make money these days. Many BC singer-songwriters, myself included, will even target a specific genre or style of music when writing because it may end up being a good choice to send to a sync licensing company for review (and there’s nothing wrong with that!)

Sending songs out is the easy part, getting them chosen is the hard one. With the environment so competitive in BC with tons of film and tv production around the city, it’s more WHO you know than where you send your music.

However there are some ways for new local artists to get started on their own without needing the help of label, management or connections and that mainly consists of submitting your music to an online music library.

Here’s how you can get started:

 

Beautiful, bold and breaking the mold….Lizzo announces tour date in Vancouver

Do you remember seeing Gina Rodriguez rapping and dancing to Lizzo’s “Truth Hurts” in the Netflix movie “Someone Great?” It was the first time I had heard a Lizzo song and I remember it was such a moment in the movie that stood out and I immediately grabbed my phone to Shazaam the song. That was released in 2019…three years and three Grammys later and this powerful performer is a household name.

It was just announced this morning that Lizzo will be performing in Vancouver on November 7th at Rogers Arena. While I wouldn’t call myself a mega fan of her music, I have a real appreciation of who she is as an artist and might just have to grab a ticket. 

In an industry of carbon-copies and lookalikes, Lizzo breaks the mold unapologeticaly. I think for me what stands out the most about her is her message.. While her bold and soulful singing/rapping style is definitely unique, her signature brand of self love is what makes women like me respect her.

Everything about the way she portrays herself seems a hundred percent genuine and that’s really hard to come across in artists these days. The thing that’s really cool about her is that although she is extremely confident, she never takes herself too seriously. It’s important for there to be positive role models for women that don’t fit that stick-thin model archetype we always see in celebrity culture.  When it comes to eradicating stigma surrounding body image issues and advocating for women of all shapes and sizes, Lizzo does so on every platform. 

Not only is she a pretty cool chick… did you know she also plays the flute really well? 

Maybe we’ll get to hear it live in November…

 

Big concerts making a comeback to Rogers Arena this summer

Looking at the upcoming list of major acts coming to Rogers Arena brings it all back for me. I feel like a kid in a candy store again looking at all the incredible performers we are able to see live again. Before the pandemic I used to work as a ticketing supervisor for Ticketmaster/Live Nation. Rogers Arena and BC Place were my playground and I can’t tell you how much I enjoyed the atmosphere of a big concert night. There is nothing like that kind of electricity. The masses flooding in, getting ready to see their favourite performer. The energy is just nothing like I’ve ever experienced anywhere else. 

I remember very clearly on March 15, 2020 when the head of events staff at Rogers came down from the main offices and told us we would be closing down for the foreseeable future during the height of the COVID 19 Pandemic. Just…”we are closing the arena doors and honestly we don’t know when we are opening them again”. For me it was one thing to lose a job I had really come to enjoy, but it was more than that. I used to work shows like Paul McCartney, Elton John, Beyonce…I got to be in the same room as artists I had looked up to and studied my whole life as a songwriter. I didn’t realize how much it meant to me until I questioned whether or not I would ever be able to experience that feeling once more.

Scrolling through the upcoming summer’s events list for Roger’s Arena makes me so incredibly grateful. The Weeknd, Maroon 5 and The Black Keys are just a few of many big names coming this summer. I for one will be getting tickets to as much as I can afford. Live music events on that scale are an experience unmatched that I won’t ever take for granted again.

Hip Hop is back in the City…and no one in happier than local MCs

Grizzy Wynter has been in the Vancouver hip hop scene for almost a decade…and like many other artists who have worked so hard to establish themselves in an often overlooked and undervalued sector of the music industry in western Canada, COVID exacerbated everything he had been building for so long. 

But what people don’t realize is the resiliency it takes to have a voice within yourself that nothing can silence – not even a global pandemic.

For artists like him and other local MCs who hustle harder than most know, the shut down of the music scene over the past two years in Vancouver not only meant the lack of opportunity to perform and make a living off of your art but also created a deep void of inspiration and moral for many artists in the city feeling completely disconnected from any semblance of artistic community.

“It felt like the things that keep a lot of artists sane…performing…seeing each other perform…was taken away from us. Many musicians battle depression and exhaustion everyday and this just made it worse. If you’re in the music or the arts it felt like death honestly” he told me candidly.

Grizzy, who lost a loved one during the pandemic and wrote music during that time, wasn’t able to perform or properly promote his music due to restrictions. He told me, “Of all the times I needed to perform and heal that energy onstage I was so frustrating that I couldn’t perform anything.” 

However since the lifting of mandates in Vancouver in the last month and a half, there’s a new vibrancy in the local hip hop scene as artists like Grizzy are able to do what they love once more.

“It felt like coming home again”, he said when I asked him about his return to the stage a few weeks ago at a hip hop cypher where performed in East Van. “I’m so happy to have this part of my life back”, a sentiment shared by myself and many other local artists who have recently returned to the stage for the first time since COVID… it truly does feel like we can finally come home again. 

 

 

Coachella 2022…more “fyre” than fire

The world is opening up again for music lovers….with a return to festival season for the first time in over two years since the COVID 19 pandemic began in march 2020. One of the most anticipated festivals of the year, Coachella, just closed it’s second weekend last night to less-than-stellar reviews. 

From the lack of security presence which led to much more theft than reported in many years, to longer lines, disorganization and more chaos than usual…it seemed the two-year hiatus made a big impact on the execution this year by festival organizers. 

There was even a TikTok trend where people were using the audio “it’s giving fyre festival” (referring to the fraudulent and disastrous fyre festival of 2015)

Most Vancouverites that I know who “do chella” on a yearly basis and we’re in complete anticipation of being able to attend the event again after two yeas of waiting, we’re extremely disappointed with their experience this year. 

One friend of mine who is a huge Billie Eilish fan said that even the highlight of her bringing out Paramore’s Hayley Williams wasn’t enough to make up for the trauma and chaos of everything else.

The verdict is in, and it’s not that great.

 

 

The 100 Block Rock’s the message of the DTES community

The 100 Block Rock – named after the 100 block of Hastings Street – is a music project that highlights the heart of Vancouver’s Downtown Eastside and features a diverse roster of artists who call the streets of the DTES home.

Artist Eris Nyx rallied for this project until it was finally supported by Creative B.C and the City of Vancouver by an art grant. He’s worked and lived in Vancouver’s Downton Eastside  for the last ten years and this project is both a labour of love and something to protect the heritage of a neighbourhood which is oftentimes very stigmatized. You can feel the strong sense of community and connection in the voices that you hear on this album. Lyrics of struggle and addiction, pain and loss that are beautifully coated in a message of resiliency and strength.

The 100 Block Rock II release features original music from Nyx and 10 other artists from the area including Robert Williams; East Van Hotbox; Technition Cardinal; Ion Storm; Chaos Disorder and Panic; Big City; Iceman; Tangent Quo; D’Skyz; and Karen Colville.

The project is now available for digital download on bandcamp for $10

My personal favourite track on the album would have to be “I am addiction” by D’Skyz…it is a gorgeous yet haunting window into the life of someone who has been affected by addiction and epitomizes how far reaching it can be…not just by those on the streets of 100 Block…but in every neighbourhood in the lower mainland. It personifies the voice of the struggle of many in this city, despite their status, race or socio-economic standing.

Proceeds from the album sales will go to the artists and their families as well as the production of the next edition of the 100 Block Rock.