When Vernon, BC native singer and songwriter SonReal dropped “One Long Dream”, it was the defining moment in his long career. His most popular album till this day it seems like most Canadian artists had their coming out party in 2016. “One Long Dream” still stands the test of time even almost ten years later, but why is that? 
When the opening track hits it is easy to tell what kind of timing SonReal is on from the get go. The album opens up with “One Long Dream” the album name, and its first track. This song sets the tone as SonReal addresses all the pain and sacrifices he’s had to make to get to this point in his career. SonReal as much as he is a rapper on this track it is the storytelling ability that sets him apart from others. His singing on this track is very overlooked as well.
What makes “One Long Dream” so good and what makes it stand the test of time is the great mixture of personality and production. All the songs on this album aren’t just rap either, there is a very evident pop mix in this album, even some rock influence that SonReal uses.
One Long Dream is unique because it strikes a balance between polish and individuality. His keen pop instincts are on display in songs like “Can I Get a Witness” and “Problems,” which combine memorable hooks with genuine style. His breakthrough single was “Can I Get a Witness,” which managed to sound big without changing his authenticity thanks to its very catchy chorus. Few artists are able to combine vulnerability and calmness like “Problems,” which dives into the weight of expectation and self-doubt.
The record is restless. SonReal creates a sound that reflects the variety of his influences by drawing inspiration from hip-hop, pop, rock, and even soul, frequently all within the same song. His storytelling ability and melodic delivery give songs an authentic feel, and the polished production by longtime partners Arthur McArthur and Trevor Muzzy brings everything together. The result of someone who has spent years learning how to carve out his own path, the album feels well-crafted rather than premeditated. SonReal isn’t one of those industry plants you see nowadays, he is one of those guys who had to make it on his own.



The 2nd half of the album follows a much more of a slow tempo compared to the first half of the album. “Stone Throws” especially stands out in the 2nd half. The more chill approach on the song almost makes you forget about how the song is about being one mistake away from throwing everything away. It’s a song that makes you feel that you are outside in the rain after the party is over, a back to reality type of song. “On and On” gets the album back to its higher tempo feel that it has really been missing in the 2nd half of the album. In this song Kerr explores just wanting a chance in a relationship and how he just wants to be there for this girl, with lyrics like “ so love me love and call me back maybe i could be your heart attack”. “There goes the Neighbourhood” feels like the perfect ending to this album. The song is very upbeat with Kerr letting go of everything that has burdened him on this album. For me this song is like the saying you need to learn to lose, he’s not sore about the loss he is ok with it and sometimes that’s how life is. You can’t win them all. 