Multiverse movies have taken the film industry, offering a compelling concept of multiple parallel universes coexisting and showing vast storytelling possibilities. However, as more films use the concept, it’s becoming clear that multiverse movies can be a convenient way to avoid the challenges of storytelling.
The very essence of the multiverse, where anything is possible across an infinite number of similar realities, reduces the stakes and tension within the story. In this story format, heroes and villains can die and simply come back to life in a sequel. This constant cycle of life and death lessens the emotional impact, leaving the audience feeling unrelatable to the characters’ struggles.
Furthermore, the broad scope of the multiverse requires detailed storytelling. The plenty of universes can lead to a complicated narrative, making it easy for audiences to get lost. Maintaining a logical storyline becomes a challenge, often resulting in a disorganized plot that leaves viewers scratching their heads. To use the concept of the multiverse effectively, filmmakers need to carefully create a storyline that doesn’t sacrifice quality for quantity.
Another aspect of the multiverse is the potential to resurrect beloved characters who faced tragic deaths. While it may seem tempting to revive a character by plucking them from another dimension, this approach undermines the seriousness of their original end. For instance, take Iron Man, portrayed by Robert Downey Jr. His emotional sacrifice in “Avengers: Endgame” was a climax in the Marvel Cinematic Universe. If the multiverse concept were used to bring in a new actor like Tom Cruise to replace Downey, it would not only be crude but also weaken the emotional impact of Iron Man’s sacrifice.
Multiverse movies present a rather easy way out for writers and filmmakers. Countless dimensions and versions of characters offer an effortless opportunity to explore new storylines without having to build upon established ones. However, this can result in a lack of continuity and cohesion within a film series, ultimately leaving audiences confused and disappointed.
While the multiverse concept no doubt offers creative storytelling and exciting plotlines, filmmakers must use this tool well. The “endless possibilities” should not become an excuse for lazy storytelling. Preciseness, emotional depth, and a cohesive narrative remain crucial in making the most of this cinematic trend. Let’s hope filmmakers rise to the challenge and utilize the multiverse in a way that enhances the art of storytelling, not milking it.